Oct 12 20:48

Hostel

Review Score: 
Renter

Hostel - silhouettes: Honestly, though, this is a little Austin-Powersish.Honestly, though, this is a little Austin-Powersish.

I ducked seeing Hostel long enough. After Saw, the remake of the Texas Chainsaw Massacre, and Eli Roth's earlier film Cabin Fever I'd decided horror movies were going to be a lost cause for another decade or so. The prevalence of "torture porn" sucked a lot of joy out of these films. Yes, horror films have always been about the grotesque. But they also used to have a sense of fun, a carny atmosphere. After Saw, Hostel has pretty much been the banner carrier for this genre of horror film, and I had to work up the nerve to see it. It's actually not half bad.

Aug 31 10:11

Production values outpace talent

I'm currently working my way through the 2004 horror film Death Tunnel, a movie I picked up at the local used DVD store because it was cheap. And because the text on the back made it sound like a 21st century version of the old 70s slasher films. But it's an effort to watch, which is why I am writing this right now instead of glued to the TV screen.

Jul 08 16:29

Triloquist

Review Score: 
Bomb

I should have known from the start that anything that proudly proclaimed it was from the writer/director of Leprechaun would not exactly be a classic of cinema - but I expected it to be at least entertaining.

Jul 04 14:22

Anatomie

Review Score: 
Renter

Anatomie - Lights: Now relax.Now relax.

You may have heard about the touring museum exhibition of meticulously preserved and partially dissected cadavers called Body Worlds. You know, the one of all the "plastinized" real corpses flayed, disassembled, and whimsically posed. It's an exhibit that hovers somewhere between scientifically intriguing and OH MY GOD THAT IS THE MOST DISGUSTING THING I HAVE EVER SEEN DOES ANYONE HAVE A BUCKET. When the competing exhibition (called "BODIES - the exhibition") was in Northern Virginia I was inspired to stay the hell out of Roslyn. But it apparently inspired German writer/director Stefan Ruzowitzky to make a thoroughly mainstream medical thriller.

Jun 30 20:57

Emmanuelle

Review Score: 
Keeper

Emmanuelle Shocked: Emmanuelle had no idea they made shorts that short.Emmanuelle had no idea they made shorts that short.

Emannuelle is a cheesy but beautifully shot light-hearted seventies soft-porn film, the first to draw a mainstream crowd, et cetera ad infinitum yadda yadda. According to a lot of professional reviewers. But if it’s so light-hearted, why does the film leave me so depressed? Has the whole world missed the point of this movie? Or am I making another movie up in my mind?
Let’s start with the Netflix synopsis, which I think is as laughably inaccurate as it’s always been:

Jun 23 04:45

Cloverfield

Review Score: 
Bomb

I have seen some terrible monster movies. I have seen the Killer Shrews. I have seen Troll. God help me, I have even seen Hobgoblins. But nothing could have prepared me for Cloverfield.

I haven’t taken any screen shots here because there’s nothing in the movie worth looking at. So there.

Apr 04 18:17

Gymkata

Review Score: 
Bomb

Look. I respect gymnasts. I really do. Any sport that requires you to be flexible and beautiful and yet also requires you to be strong enough that your muscles threaten to pull your skeleton apart deserves respect, if not horror. But I’m not responsible for Gymkata. I have to imagine that anything I can possibly say about the sport pales in comparison to the damage this movie’s done.

Feb 20 06:29

Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

Review Score: 
Renter

i5555-daft2.jpgQ: Are we not men? A: We are… Daft Punk?

On a bizarre, alien planet, a quartet of blue-skinned rockers are getting everybody to get up off their butts and jam. In fact, their entire world is so entranced by their music that they don’t notice an oncoming alien invasion until it’s far too late. In minutes, the live audience is gassed and the band abducted. With a spacebound hero hot on their heels, the aliens take their captives to their home world – Earth – where they change the colors of their skins, fabricate Earthling memories, place them under the influence of mind control devices, and set them loose as a hit pop act called “The Crescendolls.”

Feb 15 01:18

Zombie Cardio

Over at the not-safe-for-work Suicide Girls, George Romero is interviewed about his upcoming DVD, Diary of the Dead. Reading through the interview, this passage in particular caught my attention. Romero gets asked how he feels about the high-speed, super-strong zombies that populate recent movies like 28 Days Later and the re-make of Romero’s own Dawn of the Dead.

Oh boy, I don’t believe they can do it. I mean, the stuff I said in the film is exactly [what I think.] I think their ankles would snap. It doesn’t make sense to me. I used to get asked, after the Return of the Living Dead movies, “Well, how come your guys aren’t coming up out of graves?” Because no individual zombie has the strength to dig through all that mahogany, man. So there’s a little set of rules there, anyway, that keeps it, at least in my mind, somewhat reasonable.

I like zombie movies, but aside from Shaun of the Dead and Romero’s own Land of the Dead, I find I have very little use for modern zombie films. The reason for this can be summed up in two words: Fast zombies.

Of course, Romero has a good logical reason for why zombies shouldn’t be fast or particularly strong. They’re dead. Dead people shouldn’t really be faster or stronger than they were when they were alive. As for me, I have a storytelling reason for why I don’t like it. Fast zombies lose the very element that makes zombies uniquely scary among other movie monsters.

A super-fast, super-strong zombie has nothing to distinguish it from a vampire or a werewolf or any number of creatures put on film by Hollywood over the years. They’re all beings who can outrun you, outfight you, and who want to feast on your flesh (or, in the case of a vampire, blood).

A slow, shambling zombie, however, is uniquely scary because of what it means if it actually catches you. If one of the new breed of movie zombies – fast, strong, and eerily intelligent – grabs hold of you, it’s not a big deal. They’re faster than you. They’re stronger than you. For some reason, they’re just better than you. Being caught by a slow zombie, however, means one of two things. Either you have been caught in a situation in which defeat is inevitable or – more likely – you seriously screwed up.

In other words, when a slow zombie chows down on your brain, there are no real excuses. There’s a better than even chance that it’s your own fault.

Jan 18 18:02

Cinematic Titanic: The Oozing Skull

Review Score: 
Renter
Cinematic Titanic Trace (I think that’s Trace) tries to adjust Regina Carrol’s makeup.

And then suddenly there were more movie-mocking projects than you could shake Torgo’s stick at from the old Mystery Science Theater crew. The most recent version, Joel Hodgson’s Cinematic Titanic, is the first to return to the silhouettes-on-a-movie-screen format. I received my copy in the mail earlier this week, and the Elf and I sat down to watch it once we got the kid to bed.